Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Gerard ter Borch the Younger
Knabe floht seinen Hund

ID: 93649

Gerard ter Borch the Younger Knabe floht seinen Hund
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Gerard ter Borch the Younger Knabe floht seinen Hund


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | The Reading Lesson | Portret van Don Caspar de Bracamonte y Guzman | Market in Haarlem | The Glass of Lemonade | Portrait of Francois de Vicq |
Related Artists:
Elisabeth Geertruida Wassenbergh
painted Het doktersbezoek in 1760
Mikhail Nesterov
Russian artist.1869-1938
Theodule Ribot
Saint-Nicolas-d'Attez, 1823-Colombes 1891. was a French realist painter. He was born in Saint-Nicolas-d'Attez, and studied at the École des Arts et Metiers de Chalons before moving to Paris in 1845. There he found work decorating gilded frames for a mirror manufacturer; he also studied in the studio of Auguste-Barth??l??my Glaize. After a trip to Algeria around 1848, he returned in 1851 to Paris, where he continued to make his living as an artisan. In the late 1850s, working at night by lamplight, he began to paint seriously, depicting everyday subjects in a realistic style. He made his Salon debut in 1861 with several paintings of kitchen subjects. Collectors purchased the works, and his paintings in the Salons of 1864 and 1865 were awarded medals. Ribot painted domestic genre works, still-lifes, portraits, and religious scenes. His preference was for painting directly from nature, emphasizing the contrasts of light and dark. His use of chiaroscuro to suggest psychological states grew from his admiration for Spanish and Dutch baroque masters such as Ribera and Rembrandt, an enthusiasm shared by his contemporaries Courbet and Bonvin. Members of Ribot's family are the likely models for many of his figure compositions, in which the subjects engage in humble activities, such as preparing meals or gathering in groups to read to each other. The light draws attention to faces and hands, which emerge sharply from dimly lit surroundings. Although the realism of Ribot's work aligns him with the most progressive artists of the generation preceding the Impressionists, he was no revolutionary,






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