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8 January 1836 – 25 June 1912. Most renowned painters.

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Gerard ter Borch the Younger
Knabe floht seinen Hund

ID: 93649

Gerard ter Borch the Younger Knabe floht seinen Hund
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Gerard ter Borch the Younger Knabe floht seinen Hund


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | A lady washing her hands. | Woman Reading a Letter | Three Figures conversing in an Interior, known as The Paternal Admonition | The Glass of Lemonade | Self-portrait. |
Related Artists:
Auguste Bigand
France (1803 - ) - Drawer
SAFTLEVEN, Cornelis
Dutch painter (b. 1607, Gorinchem, d. 1681, Rotterdam).Painter and draughtsman. After training as a painter in Rotterdam, he may have visited Antwerp c. 1632-4. From c. 1634 he was in Utrecht, where his brother (2) Herman the younger had settled, and they collaborated on a portrait of Godard van Reede and his Family (1634-5; Maarssen, Slot Zuylen). In 1637 Cornelis was back in Rotterdam, where in 1648 he married Catharina van der Heyden (d Rotterdam, 1654). The year after her death, he married Elisabeth van der Avondt. He became dean of the Guild of St Luke in Rotterdam in 1667.
David Rijckaert
David Ryckaert III, sometimes called The Younger (2 December 1612 (baptised) - 11 November 1661) was a Flemish painter. A member of the Ryckaert family of artists, he was born and raised in Antwerp, the city in which he conducted his career and in which he died. He was the son of David Ryckaert II, grandson of David Ryckaert I, and nephew of Martin Ryckaert. David Ryckaert was a pupil of his homonymous father; his work was influenced by the styles of Adriaen Brouwer and both David Teniers the Elder and David Teniers the Younger. Ryckaert is noted for large and often humorous genre pictures of farmers and landlords, and powerfully coloured still lifes. He also painted a range of other subjects, including religious pictures; his The Temptation of Saint Anthony (1650) is in the collection of the Palazzo Pitti in Florence.






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